Wrestling and Body Utilitarianism

What Wrestling Taught an Olympic Gold Medalist About God - Christianity  Today

For a good chunk of my life, I have wrestled. It is a beautiful sport in a vacuum, but there is an ugly side when it comes to weight classes. In wrestling, there is a very common practice known as cutting, which is basically losing weight within a certain amount of time. Oftentimes, this is a short term cut within a few days in which one has to think about the physical weight of the foods and drinks as well as things like water retention and fiber. I had played other sports when I was younger, but when I got to high school I didn’t quite understand just how much wrestling would be omnipresent in my bodily life, specifically surrounding food. With something like tennis, my diet would simply be whatever my mom made, or what we ordered when we went out. Once I had to start watching my weight to make sure I was in the right weight class for the team, my diet started to shift. Especially when we would be close to matches, and I would stress the whole (fully dehydrated) 24 hours before weigh ins. Immediately after weigh ins, I would go rehydrate and fuel up with foods like Cheerios and honey to give me quick energy. Even with all of these things in mind, we still had to go out and wrestle right after this starvation. We were expected to perform at our best after depriving ourselves of nutrients to make an arbitrary weight. I think it is interesting that this extremely physical sport inadvertently turns the body into something that is purely focused on one thing.

Why My Music Sucks.

A friend of mine recently told me she doesn’t like her own music, as she finds it stale, predictable, and boring. My first reaction was to immediately argue, that in my eyes I think the songs she writes and plays are some of the most interesting and engaging pieces of music I’ve had the pleasure of interacting with. But it also got me thinking: what does she see that I don’t? Many musicians, when asked how they came up with a musical idea, might simply say “it came to me.” Or “it just happened.” As if the idea was given to them by some mysterious third party, that knows exactly what melody would perfectly encapsulate the emotion that they were trying to convey. The interesting thing about this is to the musician, the basics of playing their instrument is akin to walking or maybe even breathing. As shown by Kosut and Moore in the introduction to their book Just the Reflexive Reflex, actions like walking that don’t necessarily need to be thought about shouldn’t be considered purely mechanical. Why do people walk the way they walk? Perhaps some of it is biology, or habit, or that one ankle injury in 4th grade, or perhaps it is some combination of all of that. In this case, it would be safe to say that the musician’s musical ideas are the fruit of the seeds planted every time that they have practiced, every song they’ve analyzed, and every show they’ve been to. So what my friend sees is simply what is intuitive to her ears and fingers, which is incredibly interesting to me yet very drab to her.