Why me? I ask myself this question everyday why was I born so sick? Why was a born with these mental and physical struggles? Why do I feel so different like I don’t belong here? Why did I not die a birth? Why did I live instead?
These are things that I ask myself when my depression/ anxiety speak for themselves. I fight them back every day each day goes by it get a bit easier since starting therapy and getting medicine. Even so it still a fight, I for so long was afraid to seek help due to being suicidal I was afraid they would lock me away and throw away the key, like they do to so many others. I had personal connection to this fear my mom had an aunt who was sent away to the mental hospital back in the late 60s, to this day no one has any idea what happen to her once she was sent away no one heard from her or saw her again. This is something that is not just history it still happens to people today, but no one know or speaks about it. This why many people fear asking for help they don’t want to be taken away thrown in a hospital and have all their basic human rights stripped from them.
Solitary confinement is a cruel/inhumane punishment they put not just prisoners through but also those with mental struggles. They say to protect them, but it is to control them this does not help a prisoner reform nor help someone with mental health recover it only make these issues worse. Although has been some improvement but nowhere enough and it only improved for those of certain class and race.
When I first watched Me Before You, I felt like my heart was ripped out of my chest. The story follows Louisa “Lou” Clark who becomes the caregiver of Will Traynor, a man who was adventurous before becoming paralyzed after an accident. Will unfortunately faces many challenges both physically and mentally, leading him to choose assisted suicide despite falling in love, and I haven’t been able to stop thinking about this movie ever since. Recently I started to question, if it was romantic, or was it reinforcing the idea that a disabled life isn’t worth living? After reading Nicole Schroeder’s “Dying a ‘Good’ Death: Disability and the Assisted Suicide Debate” from the Disability Visibility Project, I started to see the story through a completely different lens.
Before I fully dive in, I want to fully paint the picture of this movie. Firstly, Will’s parents hire Lou to care for him after his accident two years in an attempt to raise his spirits. Lou’s unapologetic, positive personality slowly breaks through his bitterness, and they form a deep connection. After finding out he plans to go to Swtizerland for assisted suicide, Lou tries her best to change his mind by trying everything from taking him to concerts and a trip out of the country. But in the end, Will does not change his mind even after falling for Lou. The movie paints his choice as noble as a way of reclaiming control over his life and giving Lou a chance to live hers. The final scene shows Lou reading Will’s farewell letter in Paris, smiling through her tears. It’s meant to be bittersweet, but it also raises difficult questions about what “a good death” really means, and whether society offers disabled people real choices about living.
Nicole Schroeder’s essay completely reframes this debate. She argues that the real issue isn’t about whether people have the right to die, but it’s about why so many disabled people feel they need to. She writes, “those of us protesting do not want people to be in needless pain; instead we want resources other than death to alleviate suffering while people are still alive.” That line stuck with me because it exposes how the conversation around assisted suicide often ignores the failures that lead people to that point: lack of access to care, isolation, and social neglect.
In the film, Will isn’t shown receiving much support beyond Lou’s companionship and his personal caretaker, Nathan. Even with wealth, he seems completely alone in a world not built to include him. Schroeder highlights that in a “hyper-capitalist world,” assisted suicide can become a cheaper alternative to improving care and accessibility. It’s haunting to think about how Will’s decision might have been shaped not by genuine choice, but by a culture that sees disability as tragedy especially after losing the hyper-active life he once had.
One of Schroeder’s most important points is that assisted suicide is often presented as a form of autonomy, when in reality, many disabled people are making choices under pressure. She shares that in Canada, nearly half of those choosing Medical Assistance in Dying (MAID) cite feeling like a burden or experiencing loneliness. That statistic immediately reminded me of Will telling Lou he didn’t want her to give up her life for him. What sounds selfless in a romantic story becomes more complicated when you realize how society teaches disabled people to internalize guilt for simply existing.
The movie’s emotional framing makes Will’s death feel inevitable, even “beautiful,” but Schroeder challenges that idea. She calls out how assisted suicide has “eugenics-centered roots,” meaning that the very systems allowing it have historically viewed disabled lives as less valuable. When I look back at Me Before You now, I can’t unsee this unfortunate pattern that tangles up love, care, and death into a message that equates disability with hopelessness.
When I first watched Me Before You, I can still remember myself tearing up during the beach scene when Will tells Lou that he is still going to Switzerland after she pours her heart out to him. Me and many fans of this movie are still heartbroken over what could’ve blossomed between Will and Lou. But now, I think the real heartbreak isn’t Will’s death….it’s that the story never gives him another option. Schroeder’s essay reminded me that true dignity doesn’t come from the “freedom” to die; it comes from having the support and resources to live fully. The film romanticizes Will’s choice, but if it reflected the realities Schroeder describes like underfunded care systems, social isolation, and ableist messaging, it might look less like empowerment and more like surrender to a world that failed him.
I still love Me Before You for its intensity and emotional honesty, but I see it differently now. It’s not just a love story; it’s also a mirror of how our society defines whose lives are worth fighting for.
trigger warnings: body dysmorphia, suicide, mentions of disordered eating, illness
If you remember what your body looks like, I think you’re one of the lucky ones. If you don’t, then I’m not so glad this is what we have in common. Coming from an older West Indian family, my body was always a discussion. No matter how many soccer practices I showed up to, salads I ate, nor how well I did in P.E. class, whenever an aunt approached me it was always “You’ve gotten bigger!” Even throughout my adulthood my body has gotten bigger. I know I’m big, but I wish they knew that I didn’t need to be reminded every second of my life.
I think it’s important to note that I wasn’t always fat, but I still struggled with food and dieting at a young age. Having to deal with cholesterol issues during elementary school was the start of my long, relentless relationship with food. I remember sitting in the doctor’s office with my uncle, his eyes glazed over, listening to every word my pediatrician said. My relationship with food not only originates in this moment, but also with my family’s history of heart disease, diabetes, and many other debilitating diseases. By the time I reached high school, my uncle had a coronary angioplasty, stent insertion, triple bypass heart surgery, and several other surgeries for various kinds of cancer. He never wanted me to suffer like he did.
For as long as I can remember, my uncle micro-managed everything that graced my plate. There were even times we fought at the dinner table so he could see whatever takeout I’d brought home. The stress of bringing home any form of food that he would scrutinize started to transfer into other aspects of my life. In middle school I discovered how uncomfortable it made me feel to eat in public spaces. In high school I even went as far as to become the library aide so I could escape the daunting task of consuming food in the adolescent-filled cafeteria and tried my best to retreat back to the library every lunch break. The library was my safe haven, a place of structure for the moments where I felt the most vulnerable. This is still a habit I have today, I always look for security.
It wasn’t until my senior year of high school that I started my first romantic relationship. He was beautiful, smart, and even had a piercing on one ear that was the jackpot of my teenage girl fantasies. Being with him was the first time someone told me I was pretty. For someone that had only dreamed of having a boyfriend, that meant the world to me. I naively thought that feeling would last forever. As the pandemic raged on, and quarantine forced us into our isolated nests, there became an evident strain on our relationship. Still, we continued to stay with each other. I never noticed when his demeanor changed or that I couldn’t fit into half of my jeans anymore, or even that I was getting bigger than him. I made a huge mistake. You know that horrible mistake people make when they get lost in a relationship because they already have constant bodily validation? Yeah, that one. I gained the “happy weight”, I let myself go. People hate happy weight because being fat makes you feel empty and alone after a relationship. Nobody thinks that you’re attractive anymore and it feels like now there’s this huge responsibility that you have to get back to when you were skinnier. I fucked up.
Coming out of that relationship I became extremely depressed. I moved back in with my family, back to a space I never felt secure in. Endless nights spent scrolling through Tinder, a space where your body is always being perceived, felt completely invalidating. I was a completely different person. And I didn’t feel that way because I had loved and learned valuable lessons about navigating relationships, but it was because I was fat. Everytime I looked into the mirror, a devil appeared on my shoulder pointing out every flaw on my now monstrous body. It’s like my ego had turned against me.
I didn’t want to live in my body anymore. I thought I was nothing without the comfort of another person telling me I was good enough. I can’t say that I never feel that way today, but I’ve worked on it. I’m not about to go on a spiel about how much it matters to love yourself, nor about how self-love is a journey and not a destination… but would love really be worth it if it meant that I had to be skinny, athletic, or fit any of the aesthetic qualities guys on dating apps wanted? Probably not. But I want to be better, because I know that the moments in between these feelings of doubt and despair are much more important than these superficial views of my body. Though, how I never saw myself changing is still a phenomena to me.
In the end, I’m still trying to upward spiral out of this feeling called body dysmorphia.
Having been around various forms of sex work I have become quite used to cosmetic surgery. I spent a lot of time drawing parallels while reading Susan Stryker’s “Frankenstein” piece. I think about the times in which we allow ‘unnatural’ bodies to coexist peacefully and when we view them as threats. Continue reading →
Unruly Bodies 