Faking Disabilities

I was reading the news the other day and came across an article that got me so angry. A man had been using the medical condition of epilepsy to get out of paying for his expensive meals. Luckily he got caught but his punishment is a very small punishment; a slap on the hand if you will.

The reason why this story got me so riled was because of the fact that my mother has been living with epilepsy for 26 years.She has to deal with the repercussions of her disability daily. For someone to mock and mimic an invisible disability is a despicable act. She has had to recently stop driving because her seizures have gotten so bad. Her seizures have taken a toll on her memory slightly so the small task of reminiscing becomes a difficult task of the realization that her disability is becoming more and more relevant each time we talk.

The man who decided it is acceptable to skip out on paying for a meal by faking a seizure makes me sick. It is disgusting and I wish he could understand epilepsy more in depth; this disability is no joking matter. Since he used the disability to his benefit, it makes me worried for my mother. If she has a seizure in the grocery store, restaurant, and any other public place, will people be less likely to help her if they think she is faking. I hope that if people see someone having a seizure they can recognize it and stay by that persons side until they come out of it. I hope that this mans acts did not make people want to turn a cold shoulder to a person actually having a seizure.

Retarded.

My sister is mentally retarded. I’m not sure what the ‘politically correct’ term would be for this these days. I’m pretty sure it’s “mentally handicap”. Retard literally means to slow down. At the end of the day that’s a pretty accurate description of my sister. She is 24 years old and has the mentality of a twelve year old. She isn’t stupid by any means. She just got slowed down. My 6-year-old son and she are such good friends. I fear the day he intellectually passes her.

petergriffiin

Let me explain a little more about her condition.

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The limits of pain; the creation of a unique desire

My back hurts. Every day, all the time. For the last five or so years, I have shifted in my seat every few seconds, taken the elevator to the second floor. I have declined invitations to go hiking or biking, trips I normally would have jumped at the opportunity to participate in. Sitting and standing and lying down are mostly unbearable, which really sucks, because those are pretty much the basic three positions my body can be in.

Sciatic_notches

Ouch.

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“American Able” – Challenging Media Representations of Disability

Here’s a description of the project from the the artist Holly Norris’ website:

“American Able” intends to, through spoof, reveal the ways in which women with disabilities are made invisible in advertising and mass media. I chose American Apparel not just for their notable style, but also for their claims that many of their models are just ‘every day’ women who are employees, friends and fans of the company. However, these women fit particular body types. Their campaigns are highly sexualized and feature women who are generally thin, and who appear to be able-bodied. Women with disabilities go unrepresented, not only in American Apparel advertising, but also in most of popular culture. Rarely, if ever, are women with disabilities portrayed in anything other than an asexual manner, for ‘disabled’ bodies are largely perceived as ‘undesirable.’ In a society where sexuality is created and performed over and over within popular culture, the invisibility of women with disabilities in many ways denies their sexuality, particularly within a public context.

Too often, the pervasive influence of imagery in mass media goes unexamined, consumed en masse by the public. However, this imagery has real, oppressive effects on people who are continuously ‘othered’ by society. The model, Jes Sachse, and I intend to reveal these stories by placing her in a position where women with disabilities are typically excluded.

I think this project is extremely fascinating in its critiques of advertising and mass media, specifically American Apparel, and the projects counter-depictions of disability.

How is Norris’ explanation of the invisibility of disabled bodies in mass media, including the de-sexualization and undesirability often seen intrinsic to disability, parallel to Garland-Thomson’s “Integrating Disability, Transforming Feminist Theory”? Do you believe that the depictions of disability in American Able are revolutionary? Can these counter-depictions of disabled bodies truly change advertising and mass media and the ways in which we view disability in our society?

Some of the following images by be not safe for work (NSFW).

Bald Barbies

Disclaimer: While I have never experienced baldness personally, drawing from the literature on disability and class discussions I felt an affinity with the topic. If I indirectly offend anyone I offer an apology in advance.Image

Recently I’ve noticed a lot of rabble on facebook about a topic I never thought would pop up in my newsfeed: Bald Barbie.

There’s a facebook group dedicated to pressuring Mattel to create the Bald Barbie for children who suffer from hair loss due to cancer as well as Alopecia, and Trichotillomania. Mattel has finally released a statement saying they will create Bald Barbie but it, “will be a friend of Barbie, which will include wigs, hats, scarves and other fashion accessories to provide girls with a traditional fashion play experience.”

Hm. So, the new doll cannot be labeled a “Barbie” and she still has to have fashion accessories which, in my interpretation, (and perhaps this is my raging feminist coming out) means people who have hair loss still have to cover up their scalp since baldness cannot be accepted as normal.

Not only will Mattel’s new doll not be a “Barbie”, she will also only be distributed to children’s hospital for reasons of “directly reaching girls who are most affected by hair loss”. But what about the children who are not in hospitals who have experienced hair loss? And how does a hospital reinforcing to the children that they’re still beautiful actually combat the main message that Mattel sends out to the general public on a day-to-day basis, i.e. beauty has a certain standard, and if you don’t have the hair and body for it, you will never be beautiful.

Could placing the doll on the shelves of a toy store create too much of a sense of normalcy towards hair loss?

From the past course discussions on disability, and the invisibility and inaccessibility that many disabled people have expressed they have experienced; I don’t think that Bald Barbie does much to enhance the lives of children who have experienced baldness.

By only distributing these dolls to hospitals Mattel is stating that baldness is still a disability and is associated only with illness. Mattel could release Bald Barbie in mainstream stores and allow Bald Barbie to be viewed right next to a Barbie with hair but then what message would Mattel be sending to the children that experience baldness? Beauty standards can actually deviate from what Mattel portrays them to be?

If Bald Barbie were to be considered equal and sold in the mainstream market right next to a Barbie with hair I think children who experience hair loss could actually feel acceptance and beauty towards their baldness, especially when Barbie is such an icon for female children for femininity and glamour.

I think Mattel’s creation and distribution of Bald Barbie is just another way to emphasize disability rather than accept it.

Design improved by (dis)ability

So we’ve talked quite a bit about how architecture and spaces treat (dis)ability as an afterthought, defining a norm and making often weak attempts to accommodate those who do not fit inside the normative box.  But this doesn’t always have to be the case. There are some really smart designers who have flipped this script- collaborating with people of different abilities in order to come up with design that is beneficial to everyone.

Take for example the OXO Good Grips line of kitchen utensils. We’ve all seen them- peelers with really thick handles, unusually shaped can openers. Cool looking, but not the norm in utensil design.  It turns out, this entire line was designed in consultation with arthritis sufferers, in order to create kitchen tools that they could easily and comfortably use at a reasonable price.  Now, OXO Good Grips is one of the best selling brands of kitchen utensils around the world. A simple thought- making an easier to use potato peeler- leads to better design.

But what about architecture? How can it be impacted by collaboration across abilities? At DC’s Gallaudet University, which specializes in educating those with hearing impairments, new buildings are showing innovative design meant to help the deaf that could end up in your new office building or classroom.  Walking and talking is one of the cornerstone experiences of college life- but this becomes a bit trickier when you’re speaking a language that is visually based.  Buildings offer numerous obstacles to these conversations- narrow hallways, doors that have to be opened.  Gallaudet is creating buildings with wider hallways and wider sliding doors to better accommodate students’ social life.  Eye strain, again a common college problem exacerbated by needing to use your eyes to take in every second of classroom interaction, is dealt with by thinking of light sources and room color.  Each innovation is driven by thinking of (dis)ability first, and each one something that could be valuable to the world at large.

Is this a next stage in industrial design? Instead of trying to make a product comply to Americans with Disabilities Act standards, should we instead focus on making products more inclusive from the start? It’s a bit of a rhetorical question, sure, but the real question is, why aren’t more people thinking this way?